mindy SIZEMORE

        In Appalachia, much of how the area is viewed comes from outsiders’ perspective.  Outside voices concentrate on the problems the area faces by giving the region a flat, one dimensional view of poverty while imagery in popular culture continues to play into false stereotypes. This body of work focuses on giving a more honest and vibrant depiction of the area. As a native West Virginian, I aim to regain some control of the region’s voice. My work comments on some of the struggles the area faces by showing personal scenes of loss. The work also celebrates the unique culture that exists there.  Perseverance and preservation of the people and culture are reoccurring themes throughout my work. I use old family photographs as references and gather items from my hometown (coal, salt, dress pattern, old documents) to document my memories of the place as well as to preserve actual objects. Stylistically my paint application is very expressive, raw, and primal. The color choices and mark making in my work recall a childlike quality. I wanted to aid the viewer in leaving behind their previous biases and stereotypes so as to be able to look at these images with fresh eyes. Negative stereotypes abound about how primal and ignorant “hillbillies” are, however this area is home to some of the most underserved areas in the United States and people living in this isolated and ignored area must learn to self-preserve without the many resources most people take for granted.  The poor construction of my panel and use of cheap materials such as duct tape is a way to talk about the lack of resources, funds, and attention that the area receives as well as the stereotypes that persist despite these factors.